WRITING LOG
Mar 2012

Prime Love

Written I don’t know when...


prime numbers




Prime Love/The Two Of Us


Eleven birds fly

Three as you walk on by

Seven toes in sand

A child’s tiny curling hand

Your thirteen bluer than sky


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A Confederacy of Augustin

WARNING: EROTIC IMAGERY & LANGUAGE
A little story I wrote back when—a clear homage to John Kennedy Toole. It’s also interesting because Gordo (my cat who passed away yesterday) is one of the supporting characters. Weird that I stumbled upon this today.

ignatiusjreillyx13j2xe-1332177602



A Confederacy of Augustin


Augustin Macker made a promise to write a new short story every single day, in the hopes that he would one day be published, joining the ranks of his favourite childhood writers: Hank Chinaski, Merseault, and the irrepressible Kilgore Trout.
Every day he woke and brewed himself a pot of strong, Nelson-British-Columbia-roasted coffee and stare, dreamy-eyed, at his lap-top screen. For weeks, nothing at all came. He grew despondent very quickly, as his life had very little content, apart from the incessant reek of his two pet cats, Brecht and Gordo The Fat.
Then one day a story poured out. Augustin was inspired with the notion of a beautiful woman. He had had very little contact with members of the opposite sex, with the exception of his mother, so his notion wasn’t a fully formed idea; it was simply a notion. Notwithstanding, he let his imagination run amok, smashing his index fingers into the keyboard. Word after word gushed from his creative centre, and by the time he was through he was utterly exhausted.
Here was the story he wrote:

On a blustery, foul winter’s eve, I first made the acquaintance of Cameron Porphyra-Jones. She was a milky, ursine maiden with giant clams for hands and lips that could turn all the salmon out. She accosted me at the local Esposito’s as I was pondering the selection of porks.
“Looks like the chops are on special today,” she asserted. I eyed her.
“I know this is going to sound weird,” I slickly replied. “Would you like to go out on a date with me?”
She hesitated demurely, biting her lower lip. I noticed something dark lodged in her upper teeth.
“All right,” she said.
“Great,” I oozed. “How about tonight at the Jolly Dodger Donut Café?”
She agreed, and hours later, there we were, staring into each other’s eyes at the back of the JDDC as the crude coffee and crullers disappeared down our dry throats.
Before long, I had her in my arms and was whisking her back to my basement lodgings. My cats looked at Cameron with seeming disgust as I wedged her between the sheets of my rusty single bed.
“Oh,” squeaked Cameron, as I thrust my wicked sword of a manhood into her. She was clearly delighted, because she started to cry. I had been with a lot of women— virgins, ladies and whores— but none of them had ever cried on me. I was disgusted.
“What’s this all about?” I shouted, still throbbing inside her.
“It’s just... it has been a long time,” she whimpered.
“That’s no concern of mine,” I ejaculated. I ejaculated.
The next morning, Cameron had departed. She left me a note, which I destroyed without reading.
It had been an ordinary Wednesday night.

Augustin looked over his completed work, chuffed. He printed it and held up the manuscript admiringly.
“Now the world will cringe,” he boasted to Gordo The Fat, who reacted sleepily. “Now the world will fall at my feet and beg for clemency!”
Augustin skipped into the kitchen to concoct a popcorn dinner for himself. Typically on Wednesdays he would pop a bowl of popcorn and douse it with curry paste and mint jelly. He thoroughly enjoyed the way the spices spanked him on the tongue, prompting him to reveries of faraway places with exotic, Indian names, like Rangoon and Mesopotamia.
Returning to his “office” (which happened to be whatever room his laptop was in) Augustin marvelled once again at his literary masterpiece.
“Now the world will call me master,” Augustin repeated.
There was a knock at the door.
Augustin recoiled at the sound and stared at the door in horror. Another knock came. Now Augustin began to sweat. He tried to recall which of his enemies might be there to collect their judgement, but Augustin could not think of anyone he had wronged in his full thirty-seven years of life.
Taking no chances, he lifted the closest weapon he had at hand: a piece of green twine used to secure his curtain to the wall. He stretched out the flimsy cord to employ as a garrotte on the intruder, who had undoubtedly come to steal his manuscript.
The door knocked once more.
“Who is it?” Augustin’s cracked voice pleaded.
“FedEx,” said the dark marauder.
“Oh yeah?” said Augustin. “That’s what all murderers say. That’s what they say before they kill and loot.”
Augustin was frothing at the mouth with fear.
“Listen Sir,” implored the murderer. “It’s FedEx here. Either I get you to sign for this package or I bring it back to the post office. Makes no difference to me.”
After a long, agonizing consideration of the détente, Augustin moved to open the door.
There stood a FedEx delivery man. In his hands there was a large package addressed to Augustin. Upon signing the man’s electronic register, Augustin launched into a vexatious verbal assault.
“How dare you throttle my door with your meaty, filthy ham hocks?” he bellowed. “Don’t you know WHO I am? I am the great writer Augustin P. Macker. Next time you knock on my door, do so with REVERENCE!”
Having stated his case so plainly, he triumphantly slammed the door, only he did it so hard that a hinge broke and the door fell back toward him, leaving the delivery man in a state of utter, mirthful astonishment.
Augustin felt waves of ignominy wash over his face as he struggled to replace the broken portal whilst clutching to his newly acquired mystery package.
When the door situation had been rectified and all was quiet again (the delivery man having left in tears of joy) Augustin sat down in his comfiest chair (the one that could support his weight) and began to scrutinize the delivery.
“It must be a bomb,” he rationalized, as he gingerly rotated the lightweight box. Gently he shook it. Nothing moved inside.
With a disdainful glance at Brecht, who was sniffing the parcel, Augustin allowed his curiosity to get the better of him; he stumbled to the kitchen to retrieve a rather large and unwieldy Haitian machete, which he used on occasion for chopping melons.
“The accursed swine will rue the day,” he uttered, as he slowly made his way back to where the silent package lay.
Brecht leaped three feet in the air and Gordo The Fat howled miserably as Augustin let his machete come crashing down on the FedEx box. Blow after blow he delivered, and in seconds the box, and the coffee table underneath, were completely decimated.
Pleased with the savagery of his onslaught, Augustin now crouched to inspect the contents of the carnage.
A small piece of pale blue, wool fabric peeked out through one of the machete holes, and instantly Augustin knew what he had done.
“Oh wretched Fortune,” he whispered dramatically, as he kneeled before the severed remains of the package.
A few weeks earlier, Augustin had complained to his mother about the slight chill he had been feeling in his basement apartment. She had set to work immediately.
Now, he had chopped his mother’s blanket to pieces.
“Oh wretched Dame Fortune,” he repeated tragically. “That it should come to this.”


©Adam Kelly Morton, 2009

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Poem for Soccer Sunday

Lionel-Messi-415
I know it’s unusual, but here is a poem for football (soccer) enthusiasts.



Football

Every night I
Sit at the computer and
Watch goals from half-centre
Like Wayne Rooney’s cracker
Or a Beckhaming bender
Le Tissier’s sweet sizzlers
Di Canio’s flying scissors
Some Ruud from the area
After Touré malaria
A Cantona chip
And a Keaner clip
Nutmegging Gaúcho
Zidane’s header on Marco
The flyer from Scholes
Or Old Master’s Dutch goals
Then Pelé the Conquera
Handing on to Maradona
Impossibilities from Carlos
Christianities from Ronaldos
Aging Teddy
Young Thierry
Crouching taller
Shorting Sneijder
Messi Del Piero
Rummenigge
Negrete Okocha or
Tony Yeboah
They are strikes from the past
Our love kicks in the grass
And like you—in your absence
I connect on your passes
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Francesca's Monologue

A little monologue, written for an acting student:

Maserati-3500gti

Francesca’s Monologue


See, the thing is… Antonio’s the most beautiful boy I’ve ever seen in my life. He’s really cute and cut and he drives a Maserati. A Maserati! His parents gave it to him, so yes… he’s got a lot of money, which is why he’s moving to Connecticut, because his parents can afford those schools—those Ivy League schools. I could go to one of those schools. Do they teach hairdressing at Yale? Doesn’t matter—I’m still going. It’s just a matter of getting there. He would have paid my bus fare, or driven me down himself in is Maserati, but he doesn’t really know that we’re meant to be together yet. But he will! Oh Antonio! He has such a handsome name. Sounds like something out of Shakespeare. Didn’t Shakespeare have a play about Italians? I read it in high school. There were all these suit-men or something, running around trying to get this girl who was named after a car. What was her name—Ferrari? Anyhow, one of those merchants was named Antonio. And he was tall and muscular and dashing, and now he’s gone. Oh Antonio, how I miss thee, my Maserati man—my muscular Maserati merchant man! I was so sad when he left. It was like I had this whole wonderful play acted out in my head only I never got to write it down. Well, I can’t bear to be without him so I’m going. I’m sure he’ll be thrilled to see me when I arrive at his doorstep in Connecticut. Won’t he? Maybe he won’t even recognize me. Of course he will. We grew up together. We’re practically related already because his father’s father is my mother’s brother’s best friend—which does not mean that we’re blood related, but which does mean that we are meant to be together. We’ll live together in Connecticut, and he’ll go to business school and I’ll keep the house and polish his Maserati and we’ll have a wedding like they have at the end of Shakespeare and all I have to do is get there. So, if you would care to contribute I’d be eternally thankful. The bus is so expensive these days.

©Adam Kelly Morton, 2008
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Life in the City

turkey

After many, many requests—one, at least—here, at long last, is my submission for the Dramaturkey (Worst Play of the Year) competition. I expect to win.


LIFE IN THE CITY
a Dramaturkey play submission by Adam Kelly Morton

Set: A backdrop painting of a city landscape. Music: Comfortably Numb by Pink Floyd.
A set of prison bars is lowered to the floor. A bearded man walks onstage, and looks longingly through the bars. He takes off his t-shirt and mimes slitting his wrists.

MAN
Noooooooooooooooooooooooooooo!
(He dies, then slowly rises and walks offstage.)

NARRATOR
It was an ordinary town in an ordinary city, where things went on as normal.

Enter HUSBAND AND WIFE, miming eating breakfast.

WIFE
So, did you sleep well dear?

HUSBAND
I did. And you?

WIFE
I slept very well. Though I had a dream.

HUSBAND
What was it about?

WIFE
In my dream I was walking along a long white corridor, and there were people on all sides of me, one of them was my grandfather, well it looked like him but it wasn’t really him. And then there was this blinding flash of light, and I woke up in a cold sweat.

HUSBAND
Honey, are you all right? Let me know if you have any more of these dreams.

WIFE
I will.

HUSBAND leaves.

WIFE (speaking to no one)
Ever since I had the abortion, I’ve felt a terrible loss. My sense of self has changed, and now, I’m not the woman I used to be. Now, everything has changed.

WIFE exits, enter SON, who was the man in the first scene, now with no beard. He is smoking a cigarette. Music plays: Comfortably Numb. A screen is lowered in.

SON (to audience)
You think I wanted to be a killer? No. It’s something that is inside you, it bubbles up from deep inside you… and then… it explodes. Now, I don’t feel anything. I’m numb inside. There’s this song by Pink Floyd. It’s called Comfortably Numb. And that’s exactly how I feel. Comfortably numb.
(A film is projected on the screen. Scenes of a boy running away from the camera.)
My father was cruel to me as a boy. He used to beat me for the smallest of trivialities. I had no friends. Who needs friends? I am alone. Like a lone wolf. I’m not angry anymore like I used to be. No. Now I’m like that Pink Floyd song. Just comfortably numb.

He exits. Enter GIRL, miming putting on makeup in a mirror facing stage left

GIRL
You’re going to be beautiful. All of the boys are going to wish they could be with you. Food is the enemy. It tries to get inside you. But you can’t let it win. If it does, just one trip to the washroom. Cleansing. I am clean inside. Inside and out. And all the boys will love you. I’m not starving myself. I’M NOT STARVING MYSELF!!!

Enter WIFE. Her and the girl do an interpretive dance to Sarah McLachlan’s “I Will Remember You”. They exit. Stage hands bring on large desk with telephone.

NARRATOR
Yes, it was an ordinary day in an ordinary city. Until things start to come… undone.

Sound of telephone ringing. Enter HUSBAND who picks up telephone.

HUSBAND
Hello HZW Enterprises how can I help you? Oh, hi Gerry, yes I’m at work. What’s that? You think the client might foreclose? Gerry we made a deal with him he- oh, I see. He’s going with the competition. All right. I’ll talk to you later.

He exits. Desk is turned and telephone removed. Desk is now a bed. Enter GIRL and SON. They are miming making out passionately. A television is brought onstage.

GIRL
No, don’t Adam. I want my first time to be special. And you know I love you.

SON
Ok, cool. Respect, yo.

GIRL
Respect.

SON
Hey you want to kick back and watch some tube instead?
(He points at the television.)

GIRL
Yes. (
They sit on the floor and he mimes changing the channels. We hear a news report.)

NEWS
And finally, all citizens of the town are being asked to beware of the deranged killer who escaped from the maximum security prison just outside of town. Very little is known about the killer, but he is considered armed and extremely dangerous. (
He turns it off.)

GIRL
Hey, why did you turn that off. I was watching that.
(She points at the television.)

SON
Because, you can’t believe everything you hear in the news, yo. Hey, Should we go in the kitchen and make some popcorn, yo?

GIRL
Cool.

Girl walks off. Son watches her go… ominously. Looks back at the Tv. He throws the remote control away and exits after her. Blackout. Lights up. WIFE enters, now setting the table/desk with dinner items. She hums to herself. Enter HUSBAND, drunk.

WIFE
Hello Honey, how was your day at work?

HUSBAND
Harrgaagrar blaggga barg barg. Bad day. Lost a contract. Hurrumph.

WIFE
Oh my God, you’re drunk.

HUSBAND
I’m fine now. Listen, I have to talk to you about this, because all the way home it was just burning up inside me. I guess I shouldn’t have driven home. That was dangerous.

WIFE
You should never drink and drive. Now what is it?

HUSBAND
Please sit down.
(She sits down. He kneels in front of her.)Now you know I love you, and I’ll do anything to make sure you and Adam, our son, are taken care of. But, I’m afraid we might have a bit of hardship ahead.

WIFE
Honey, you know I’ll stand by you, through thick and thin. I love you.

HUSBAND
As long as I know that, everything is going to be okay. Hey, where’s Adam?

WIFE
He went over to Suzy’s house.

HUSBAND
Come on, let’s find some of his old pictures of when he was a baby.

WIFE
He is such a good boy.

Dark music plays, like from “Welcome to the Machine” by Pink Floyd. They exit.

NARRATOR
But things aren’t always what they seem to be… on the surface.

Enter SON and GIRL miming eating popcorn. The girl now carries a live pet ferret.

GIRL
Yo dawg, this is the best popcorn I ever had.

SON
Do you really think so? My mother taught me how to make it. I love her very deeply.

GIRL
Hey, why are you looking at me like that?

SON
I’m not. Don’t criticize me. Now put down Slinky.

GIRL
Ok. (
She places the ferret down.) Give me a kiss.

SON
FUCK your kiss! (Comfortably Numb plays.)

GIRL
Hey, Adam, what’s happening to you?

SON
I’m never good enough for you. For my father. I’m not going to take it anymore!
(He flips over the table sending all the plates and dishes crashing.)

GIRL
What are you doing? Those were my mom’s precious China collection.

SON
I’m sick of all this. What’s this system we live in? Well, the system is fucked. Like Shakespeare said: “To be or not to be, that is the question.” And now someone has to pay.
(He moves towards her to kill her as Sarah McLachlan’s “Possession” is played.)

GIRL
No! NO! NOOOOOOOOOOOOOOOOO!
(They do an interpretive dance, ending with the Son jumping on her and strangling her. She dies quickly and painlessly. He looks around, and starts cleaning up the plates. In slow motion he looks up and sees the audience. Lights flash. Police sirens.)

NARRATOR (as police)
You are under arrest. Put your hands up. You have the right to remain silent…

SON breaks down crying. Blackout. Stage hands clean up stage and place telephone on floor. Enter HUSBAND AND WIFE on knees looking through picture book.

HUSBAND
And there’s one of him laughing.

WIFE
He was always laughing as a baby. Never cried once.

HUSBAND
You’re right. He never cries. I’m so proud of our son. I’ll get it.
(The telephone rings)
Hello? This is Mr. Cooper. No I haven’t been watching the news, why what the Hell is going on? What? Our son is what? Oh my god! (He drops the telephone)

WIFE
What? What is it, Neil?

HUSBAND
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!

NARRATOR
Yes it was an ordinary town with ordinary people. But even in a town like this, you never know when an ordinary day might take a turn… for the worst.

(Blackout. Lights up. Guitar solo from Comfortably Numb plays. Curtain call: Husband and wife run out: he bows, she curtsies. The girl runs out and waves to the audience. The stage hands come out and bow. Now, all together, they form two clapping sides as ADAM runs down the middle and takes a huge bow. Now they all bow together. Then ADAM bows alone one last time, with the rest of the cast clapping behind him. They all run off. Repeat for the encores.)

FIN


© Adam Kelly Morton
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Vietnam

A short story written some time ago:

clouds_over_hills_sapa_vietnam



When I first arrived in Vietnam, it was by hovercraft. Across the gulf of Da Nang stood the low, jungle hills of Pho Luk, where so many of the great battles between Americans and Communists had taken place. There seemed to be a mist hovering over the mounds in the sunshine, like great breasts of despair, mammary glands full of agent orange. My imagination reeled with the possibilities of clearing the mountain way, by jet-induced fire, to access the poppy fields, the lost papaver, the secret reason behind the wars, including the one in Afghanistan.
Canada couldn’t be further away, and yet, my Rogers cell was still receiving text messages. A girl who went by the stage name of Kandi back in Montreal had been pestering me for weeks to see her new show: a comedy epic called Betrayal in the Outlying Regions.
“ARE YOU GONNA COME SEE MY SHOW PLEEEZE” her earnest communiqué read. There had been no solid commitment on my part, particularly because, of late, my time in Montreal had been rather preoccupied by my trip to Vietnam. But Kandi was unrelenting:
“PRETTY PLEEEEEEEEEEEZE.”
As an ambassador to the great regime, I was shocked to discover that Vietnam was currently being run with the same severe restrictions and violations of amnesty as in North Korea and Stalinist Russia. There were almost no legal means for crossing the border, except in the role of “Official”, which I was: as Second Chief Undersecretary to Gao Nguyen, Canada’s
de facto Vietnamese Delegation Chairperson. In addition to normal ingress/egress being prohibited, it was also unlawful to speak out against the current government, to access the internet, or to shake hands. So, one can imagine my surprise at the continued reception of Kandi’s unremitting texts (“COME OOOOOOOOOOON”); her devotion in very real danger of becoming pretext for my immediate arrest and indefinite imprisonment.
The sun was hot and the air was wet at the outdoor banquet prepared for Chairperson Gao and his entourage. The food was acutely bland, and distinctly lacking in the colours one would expect from
jungle fare. Notwithstanding, we politely put piece after flavourless, grey piece into our gooey mouths, eager for the luscious taste of anything that might resemble a pineapple or a guava.
Another text came in:
“WHYYYYYY WON’T YOU COOOOOOOOOME????”
Fortunately, my phone was set to vibrate, sending electrical surges through my thigh and up my spine. I mused on the rumour that, apparently, there were still prisons in the hills where men were being shock-tortured.
A sumptuous, Maltese-looking woman passed by the table and looked at herself in one of the shiny, large water pitchers sitting at its edge. Her hair was long, straight and dark, and her chest was full, with ribcage nibbling out above her radiant, floral tunic. She went away, and the next few hours disappeared from my memory.
It is worth mentioning that I have a terrible memory. My friends back in Montreal would rib me constantly for my shameless inability to remember the most significant of events. In desperation they would attempt to cow and coo my defective brain back into recollection, but to little avail. The fact that I remember some of my South Asian experience is a testament to how consequential it was.
Call it malaria: it was hardly forgettable to find myself, all of a sudden, lost in Vietnam and in need of lodging for the night. The Canadian Delegation had left without me. It had surreptitiously become my objective to quietly clear up this diplomatic blunder and get the hell back home. In disbelief, I accosted one of the banquet stewards: a swarthy, East Indian looking fellow who certainly had tattoos beneath his flimsy, white, formal dress. I covertly explained my situation to him.
“You must understand,” he said solemnly. “You can’t just leave Vietnam.”
I understood, but that did nothing to alleviate my predicament. It was one thing to be left behind by your comrades and confederates, it was quite another to be stranded in a ruthless, totalitarian state with nowhere to sleep, with sickness, and with food that tastes like a rifle-hole. Undaunted by his dismissal of my plight, I re-accosted the Indian steward, and—an expert smuggler of persons—he took me under his protective, brown wing and led me away from the feasting area.
Through the town of Da Trung my companion (appropriately named Kankhar) led me; through alleyways and underground passages; through filthy parks and decrepit dens; and through a deplorable maze of rickshaw ridden, human-detritus-doused shanty boroughs until, finally, we arrived at his ramshackle dwelling. At one point, I asked Kankhar if the autocratic Vietnamese government understood the difference between Canadians and Americans, hoping to glean some advantage by my Canuck heritage. Glassy-eyed, he chose not to answer my question, and instead chose to look at my vibrating pocket, where another text had come in:
“HELLLOOOOOO?”
Inside his home there were a million cats, both living and dead. He kicked them aside like stacks of old newspapers as he made his way over to a large closet. This, he opened, revealing a vast collection of giant, empty fish tanks. He took a careful look at several of the aquaria, tossing out various rock and scuba-man decorations, until he found a suitable tank. It was clearly one of his old favourites, as it had his name, Kankhar, in black, sticker letters emblazoned on the front.
“Here,” he said to me, handing over the aquarium. “You will sleep in this.” From my reaction, he was compelled to proffer an explanation. “You must understand,” he said resignedly. “This will protect you from the scorpions and the malaria bugs.”
I understood; at which point, Kankhar went to another cupboard where he retrieved a not unsubstantial quantity of what I knew to be opium. He went over to one wall, where hung a number of large, colourful shisha pipes. He opted for the teal one, and sat down in the corner to smoke it. As he did, a number of his feline co-habitants approached the shisha mural and took down the remainder of the smoking implements. In a matter of moments, everyone was languorously inhaling the rich, blue fumes.
Now I understood it all: the likeness of Vietnam to Afghanistan, the beautiful woman who made my memories vanish, and Kankhar’s muted reaction to my query about Canada versus America. The fish tanks, the cats—all of it made perfect sense. There was finally some peace in my universe.
An obscene vibration shook my pant leg. Looking down, I reached to where the foul reverberations were coming from. I extracted the offending fiend and looked hard on it. It was my Rogers cell phone. There was one new message in my inbox.
“ARE YOU COMING TO MY SHOW YES OR NO?”
I took some time to consider my options, and looked about the room, to where Kankhar and his indolent friends lay back in sedate ecstasy. “You must understand,” I texted Kandi. “I just can’t.”
And some time later, as Kankhar prepared us for another voyage, I received her modest reply.
“YOU’RE A BIG LOOOOOOOOSER.”


© Adam Kelly Morton, 2009




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Banff


Moraine_Lake_Banff_National_Park_Alberta_Canada_06
2656-ville-de-mont-tremblant-view-of-the-laurentians


Banff

Everyone heads out west from here for
The Rockies are young and vibrant and sharp
While Laurentians
Old
Worn
Tired

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Blackboord


This was written in the 90’s; I was listening to a lot of Pearl Jam.


tumblr_m0ttavPobx1r8g7is

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Freelance


Here’s a little poem about career choices—written a few years ago…

freelance


Freelance

at age thirty-seven
i now know people in
 
Law
Medicine
Finance
Architecture
Dentistry
Trade
Upper Management
Engineering
Tenure-Track Education
Science
Office Work
Pharmaceuticals
Unionized Labour
Business
Specialized Trade
Financial Planning
Sales
and Service
 
and whenever i tell them i am a freelance
 
actor
writer
teacher
director
producer
screenwriter
playwright
consultant
creator
coach
artist
 
They always ask the same thing:
How do you make any money doing that?
 
then i walk in the rain on a monday mid-morning
and i close the pub on a tuesday night
and on friday and saturday when everyone’s out and about
i stay home in my little apartment and i
write  


© Adam Kelly Morton, 2009
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Ronovan Queen

Dice+12
After a weekend of playing Dungeons & Dragons (yes, I still play at nearly age 40) I'm nostalgic for the old days of gaming, with the friend who introduced me to D&D when I was an innocent young Mama's Boy of 13.
Here's a short piece from years ago, written during a similar moment of nostalgia.




ElephantPee

Ronovan Queen

The first time I saw an elephant up close, I was walking by the carnival set up in front of the Zellers in Pointe Claire. He was standing there, pissing out a gushing yellow flood, and looking forlorn. I walked by him on my way to Ron’s dad’s house. My parents had a fair idea of where I was, and what I was up to.
Ronovan Queen was a large, yellow-toothed extrovert with a vast collection of baubles and beads in his filthy room. Often we would wrestle, and he smelt strange. I would visit Ron principally to play Labyrinths and Liches. He was the Gamesmaster. He had created his own world for the game. His prolific creativity and flair for the macabre made the role-playing seem unearthly—arcane. We would descend, from his room full of treasures, to the dingy basement where the game took place. White candles were lit, polyhedral dice of ivory were fired up, and imaginations were ignited. The boys would sit around the table considering all of the marvellous things Ronovan presented them, including attacking monsters, spiked pit traps, intriguing puzzles, and chests full of gemstones, potions, and assorted magicks.
Ronovan and his friends (“Gurny” Mills and “Faust” Nesbit) were waiting for me when I arrived at the Queen household. Ronovan’s father was never, ever home. The boys were drinking from a bottle of Irish Cream.
“You must choose,” Ronovan said to me in his sepulchral, Gamesmaster voice. “Irish Cream or ginger ale?”
trans
canada dry ginger ale
“Ginger ale,” I said unflinchingly. Faust handed me the green plastic 2L bottle and encouraged me to drink up. I took a sip. They stared at me anxiously.
It tasted funny. “This isn’t ginger ale,” I said.
Immediately the three imps burst into malicious laughter.
“You just drank Gurny’s piss,” exclaimed Ronovan, laughing.
I ran to the bathroom sink and spit up into it. There was no denying that I had swallowed most of the urine. I was humiliated.
Returning to the living room, the boys were in hysterics.
“Why did you do that?” I pleaded. “Why?”
“You should have had the Irish Cream,” said Faust admonishingly. This sent the others into even greater fits of delight.
I turned around and walked out of the house. I walked for ages; past Athens Restaurant, past Spring Garden Road where Ron’s mom lived, past the Zellers and the lonely elephant. Reaching a payphone, I called home. My stepfather Jacques came to collect me at the shopping centre. I was sombre in the car.
“What happened?” Jacques inquired.
“Nothing,” I replied.
I never told anyone what had taken place; the very thought of it fills me to this day with a crushing shame.
trans
Two years later it was autumn, when the desire to play L&L is most keenly felt. Having no cohorts or friends with whom to play the enchanting game, I decided to bury my pride and give Ronovan a call. I still knew his number off by heart.
“Just so you know,” I said. “I didn’t appreciate your prank at all.”
“I know,” Ron answered.
I continued my purge. “There was a reason why I didn’t speak to you for two years.”
He hesitated. “They did it back to me.”
“Who did?”
“Gurny and Faust,” Ronovan stated bleakly. “They tied me up in a chair with a thick rope, and then hit me with the other end of it.”
A smile crept onto my face as I imagined the poor, lumbering giant being bound and beaten with a limp hunk of cord.
“I’m sorry that happened to you, man.”
“So,” he changed the subject. “You want to come over and do some gaming?”
trans At Ron’s dad’s house, over the next few weeks, I took my brand-new character (a wizard named Mathgen Airioch Feabhruadh) on a series of heroic escapades. They were some of the most memorable of my illustrious gaming career. Ronovan had not been idle over the two missing years. He had developed his fantasy world into a veritable universe of campaign possibilities. He had invented a multitude of thrilling scenarios, as well as entire populaces of fascinating beings to encounter. We would sip tea in the Fall twilight, pet his scummy cats and roll the dice.
L&L is a social game, and after a while it became necessary to recruit some new friends to play, to add to the fun. We called on our mutual high school acquaintances and managed to round up Gaston “Darche” Pierre, and Pat “Hen-Wen” Wendel. With wicks aflame and adventure in our hearts, we set out on the beginning of a long series of awesome gaming nights.
California Cooler
Within a year we had all begun drinking. By then I was fourteen, and despite having already consumed my first beer at age eleven or thereabouts, it was only at Ron’s that I really started. It began with California Peach Wine Fizzers. They tasted sweet and infinitely more drinkable than beer, albeit twice as expensive. Eventually, drinking beer just became too economical to refuse.
We began pounding back cases of Carling Cougar every weekend. Our drunkenness was even more exhilarating than L&L. Girls entered our entourage. There were parties at Ron’s dad’s at every opportunity. Ron’s dad occasionally showed up himself, drunk from the local tavern. Darche once flew into a ghastly rage and smashed three windows before throwing up.
Wildcat+beer
We decided to use our creative energies in a less destructive capacity and formed the Yahoo Theatre Company, named after a sound that Gurny used to make long before I had ever tasted his urine. For our productions we performed in several church basements and even borrowed the drama classroom at our old high school. We were wildly successful on the Pointe Claire circuit.
When it came time to apply to universities, I confronted Ronovan about my decision to leave the world of theatre and pursue a Biology degree.
He was nonplussed. “Why would you want to do that?”
“Because I want to know how things work,” I said meekly.
“I don’t,” he announced. “I prefer to live in the mystery of the unknown.”
I thought about it for a long time, and had no reply.
Not long after that I lost my virginity with my maiden girlfriend Sarah in Ronovan’s cellar. Upon returning as a group from a covert, drunken dip in the public swimming pool, Sarah and I lay down on a large piece of wrinkled, grey foam (covered with a rust-stained bed sheet) and pressed our way into young adulthood.
Sarah then pressed me to move out of my parents’ house and move into an apartment with her. I did. Ronovan and our friends became regular visitors, and we even played L&L in our new digs, leaving Ron to his father—and to his aging felines.
Summer came, and with it came Ronovan and Hen-Wen’s decision to travel in Europe for an indefinite period. I felt left out of the fun. Our goodbye gathering, which took place at the Queen homestead, included the consumption of some extremely potent dope to compliment the Cougars. I hallucinated the slowing down of time: looking at Ronovan across the well-worn dining room table he looked venerable and wise. I felt simply old. Our adventures were coming to an end.
Sapphire_sword_by_Normandreas
In Europe, Hen-Wen and Ronovan parted ways, due to irreconcilable Ronovanisms. Sarah and I broke up due to irreconcilable me. She moved out of the apartment, all the way to Calgary. I moved into a smaller pad, located not far from Ronovan’s dad’s house; I would walk past the place every now and again, recalling our treacherous nights, our saucy misadventures. The memories are locked away like a dark, secret space in my mind, along with sapphires and swords.
 
Eventually, I returned to the theatre. Ronovan ended up somewhere in Africa. I doubt I’ll see him again, though I can almost see him with my imagination; he’s bathing in the savannah, diving for topaz and azure stones—the grassland trees swaying in his splash.

© Adam Kelly Morton, 2009


 
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Crayic and the Toupatou- Part II

And here is Part II!

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“Fer feck’s sake,” said Crayic. “’Tis roit damp, an’ colder den a tinker’s dagg’s nose.”

In other words, Crayic the mouse had had enough. He decided to map out the easiest routes to the sun. By darting through certain alleyways and circumventing certain undesirable places (like St Jame's Hospital, where they hated mice) he could, at least, have more time in the sunny locations. In addition, he decided to avoid the sewers altogether, partly because they were overcrowded with his kin (seeking the safety the sewers provided) but also because while he was underground he had almost no idea what was going on above. It was good to miss the rains, but missing out on the few bits of sun was too painful for Crayic to bear.

Sure enough his routes were extending further and further afield. Chasing the sun meant expanding one's perspective; you had to find the places that weren't blocked out by trees, towers, churches or pubs. He found that one of the best places, both out in the open for sunbathing and relatively free of predators, was along the Tolka Quay and Dublin Port. There he saw the big ships and ferries roll in. They would unload their cargo, of containers or people, fill up again and roll out once more, for Holyhead, Liverpool or beyond.

One time Crayic saw a ship that had come in from a place called Saint Lucia. It sounded nice and all the men on the great ship spoke in melodious tones like the people of Paris, only much sweeter. In addition, all of the men had remarkable, dark skin. Crayic was not accustomed to seeing such blackness, and grew instantly intrigued. Their bodies were strong and dark and smelt fragrant of strange fruit, tobacco and sweetest cane sugar.

“Smells loik Guinness cakes, if der was such a ting.” said Crayic.

Most of all, he admired the mahogany skin of the men. “Dey must come from a place dat’s full o’ sun, surely,” said Crayic. “Just look at da tans on ‘em!”

He examined the ship from a distance and found the words Caribbean, Commonwealth and Castries written in various places. They all sounded so delicious. So fun! So cheesy! It was a lot for Crayic to resist.

Following the North Wall Quay he came to one of the long, thick ropes bridging the gap from dock to ship. He looked at it carefully, and as he did, the rain started to come down on his head.

“Feck dis.”

With a last wink of hesitation and a glance all around him he leapt up and scampered across the rope nimbly. He was on board.

It didn't take him long to find the ship's mess. Most of the men were on leave, so there was little danger for a little mouse like Crayic. He zipped here and there scouring the kitchen area for morsels. In fact, there was quite a lot of food, and much to his delight, he found a secret passage of a long, wooden crawlspace leading directly to the pantry. The pantry—you won't believe it when you hear—was chock full of cheese: Limburgers, Port Saluts, Camemberts and Roqueforts, in full wheels and in easy-to-nibble triangles. A treasure trove of coagulated delight!

It only took Crayic a moment to make up his mind. He would stay on board as a stowaway and see what was happening in St. Lucia. Surely the ship would return to Dublin before too long.

The ship was almost ready to leave, but Crayic was (what the locals liked to call) “a chancer,” so he whipped back to his nest of a home under the canal bridge in Rialto to gather his things. Imagine his surprise when he realised he didn't have anything worth taking! His most important possession was the nest itself. He felt certain it would be overtaken by the time he got back, so he did his best to seal up the entranceways.

Then with a hop and a flip he legged it down to port to board the ship. It was just about to raise anchor, and for the first time, Crayic saw her name, in big red and gold letters on the hull:
La Toupatou. He didn't know what it meant, but it sounded good.

And at 5am, with it bucketing down all over Dublin, the
Toupatou set sail down the Liffey. Crayic settled his nerves with a few tentative nibbles of the Port Salut.

“Deadly,” said Crayic, in curd-mouthed ecstasy.

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Crayic and the Toupatou- Part I

Here’s the beginning of something I wrote a while back; it’s kind of an adult kid’s story.

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Crayic and the Toupatou

There was a mouse living in Ireland, Dublin specifically, not far from the Guinness brewery. His name was Crayic, and with his keen olfactory sense he could find his way home very easily—even from miles away—because the smell of cooking barley from the brewery was very distinctive indeed, and it wafted all over the great city.

Crayic lived along the canal near Dolphin Barn; actually he lived beneath the bridge going over the old water lane. He held a lovely spot full of newspaper clippings, tire rubber and bits of wire all piled together into a magnificent, tunnelled nest. He insisted upon multiple routes in and out of his fabulous little abode because the neighbourhood was crawling with rats, cats and people. You never knew what might happen next where he lived, especially at night when the cats and rats were active, and when the men came stumbling out onto the streets—themselves smelling much like the brewery down the way.

Unlike other city mice, Crayic liked to get up very early in the morning and roam about the city until late afternoon. He loved the hubbub of his home town, and sought out those places where people would toss away perfectly good bits of food, like along Grafton Street and in the vicinity of Trinity College, with its lofty beige walls and its plethora of students—discarding pizza crusts, apple cores and even the occasional yogurt container or hunk of cheese.

Crayic adored the sun, and what really bothered him was Dublin's—and Ireland's, for that matter—constantly changing weather. He would peek in at the audio-video store run by the nice Indian man on Mercer Street; in the front window a television would broadcast the weather report in Irish, and Crayic would watch and listen (he was a bilingual mouse, so he understood it all.) But it didn't seem to matter what the Weather Lady said, or what any of the Dubliners said, the weather always followed, every single day, the same, predictable, persistently pestersome pattern:

RAIN, CLOUD, SUN, CLOUD, RAIN, CLOUD, RAIN, CLOUD, SUN, CLOUD, RAIN

And so forth. Crayic liked the sun best of all things. It brought out more people and more excitement. It cooked the food ever so perfectly on the pavement. Most of all, the sun felt great on Crayic's soft pelt. He'd find himself chasing all over the maze of a city bits of sunshine to bask in, even if only for a few seconds. In the morning he felt the warm blast from Phoenix Park, at midday from Samuel Beckett Bridge or from Parnell's Statue or atop the Old Abbey Theatre, late afternoon he caught the dying rays on St. Stephen's Green.

But always Crayic found himself running around like a rat in a race. It was no way for a civilised Irish mouse to behave. He couldn't fathom how to control the weather, let alone predict what might happen at any given moment. By observing the changing shadow clouds and rainy area over Dublin he rationalised that it could be sunny on one side of the Liffey while it was bucketing down on the other. While it was pissing down on his home in Rialto it was clear in Ballybough.

How to make the weather do what he wanted? Could he? Should he?

TO BE CONTINUED

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